https://lmmartinslaravel.imosver.com/en/ebooks/pichon-E0002866321E0002866321PICHÓN12.83Pichon, el hermano menor de Johnny. La esperada tercera novela de Loyds.En
Merca, su primera novela, Loyds construyó a un protagonista despreciable (Johnny, un odiador serial https://www.aglutinaeditores.com/media/resources/public/76/7679/7679d1cf1d9c4dde8d60f60980d4cac2.jpegEbookEn stockEMECÉ ARGENTINA000https://www.aglutinaeditores.com/media/resources/public/76/7679/7679d1cf1d9c4dde8d60f60980d4cac2.jpeg13.5150.682023/07/019789500442572LOYDSEbookaño_2023idioma_SpanishCautor_LOYDS
Artículo
PICHÓN
LOYDS
EMECÉ ARGENTINA
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Pichon, el hermano menor de Johnny. La esperada tercera novela de Loyds.En
Merca, su primera novela, Loyds construyó a un protagonista despreciable (Johnny, un odiador serial cuyo combustible principal es la cocaína). En su spin off el autor se enfocó –como anunciara su título– en
La mamá de Johnny. Un mismo universo, el de un estrato social acomodado que intenta mantener sus privilegios con uñas y dientes, y una misma familia con sus consumos problemáticos, narrados desde dos puntos de vista diferentes.
Ahora nos presenta a Pichón, el hermano menor de la casa, un personaje reaccionario al que le encanta caminar por la cornisa, provocar, como el que cuenta chistes en un velorio esperando que todos digieran su humor negro, un ser machista, rancio y violento, que se resiste a los cambios de paradigma estaqueado a un tradicionalismo aún mayor que el de sus ancestros de alta alcurnia.
Tras los sucesos de
Merca y
La mamá de Johnny llega la esperada tercera novela de Loyds, que viene a completar la trilogía familiar, a través de la cual ejecuta un ácido retrato de esta clase social poco frecuentada por la literatura argentina contemporánea. Trilogía que puede leerse completa o en partes, junta o separada, y en cualquier orden. Como ha dicho recientemente el maestro de escritores Santiago Llach: "Loyds armó unas novelas a la mandíbula en las que retrata con la voz dislocada de un Holden Caulfield crecido y porteño a nuestra querida clase alta".
"La obra de Loyds, veloz, repulsiva y delirante, abreva de Bret Easton Ellis (
Menos que cero, American Psycho). También de otras altas voces sádicas del vacío existencial, como Chuck Palahniuk (
El club de la pelea), Edward St Aubyn (la saga de Patrick Melrose) y Michel Houellebecq (
El mapa y el territorio; la reciente Aniquilación)... Desde ahí, describe otra Argentina del sinsentido, en el nervio de la ciudad, en una clase desatendida, con personajes que funcionan a fuerza de ansiolíticos, apariencias y excesos, y que perturban tanto que al final conmueven".